Azrael, I think this is probably your strongest ink piece that I've seen. I really like the rough quality of the marks, and the tripartite composition makes a lot of sense here. I do wonder, though, if there's some way to integrate the three parts more. You could, for example, put some subtle hints of blue and red in the lower panel, and perhaps somewhere in the upper two there could be feint echoes of the spiral form. Additionally, even though I like that the panels are different, maybe some of the drips from the upper two could extend downward across the edges dividing the panels. I think this would make the whole read more like an integrated whole.
Azrael, I think this is probably your strongest ink piece that I've seen. I really like the rough quality of the marks, and the tripartite composition makes a lot of sense here. I do wonder, though, if there's some way to integrate the three parts more. You could, for example, put some subtle hints of blue and red in the lower panel, and perhaps somewhere in the upper two there could be feint echoes of the spiral form. Additionally, even though I like that the panels are different, maybe some of the drips from the upper two could extend downward across the edges dividing the panels. I think this would make the whole read more like an integrated whole.
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